Adorno/Han

Raymond Han, "Frieze" (2001)


“A newspaper obituary for a businessman once contained the words: ‘The breadth of his conscience vied with the kindness of his heart.’ The blunder committed by the bereaved in the elevated language reserved for such purposes, the inadvertent admission that the kindhearted deceased had lacked a conscience, expedites the funeral procession by the shortest route to the land of truth….The bourgeois…is tolerant. His love of people as they are stems from his hatred of what they might be.”
-Theodor Adorno, Minima Moralia, #3 (1951)

Adorno/Assael 3

Steve Assael, "At Mother" (c.2006) [Oil on Canvas, Steel]


"One realizes with horror that earlier, opposing one's parents because they represented the world, one was often secretly the mouthpiece, against a bad world, of one even worse. Unpolitical attempts to break out of the bourgeois family usually lead only to deeper entanglement in it, and it sometimes seems as if the fatal germ-cell of society, the family, were at the nurturing germ-cell of uncompromising pursuit of another. With the family there passes away, while the system lasts, not only the most effective agency of the bourgeoisie, but also the resistance which, though repressing the individual, also strengthened and perhaps even produced it. The end of the family paralyses the forces of opposition. The rising collectivist order is a mockery of a classless one: together with the bourgeois, it liquidates the Utopia that once drew sustenance from motherly love."
-Theodor Adorno, Minima Moralia #2 (1951)

Adorno/Azarmand

Mina Azarmand, "Dark Quiet" (2006)


"Considerations which start from the subject remain false to the same extent that life has become appearance. For since the overwhelming objectivity of historical movement in its present phase consists so far only in the dissolution of the subject, without yet giving rise to a new one, individual experience necessarily bases itself on the old subject, now historically condemned...The subject still feels sure of its autonomy, but the nullity demonstrated to subjects by the concentration camp is already overtaking the form of subjectivity itself."
-Theodor Adorno, Minima Moralia, Dedication (1951)

Adorno/Freymuth-Frazier

Rose Freymuth-Frazier, "Grand Old Party" (2007)


He who wishes to know about life in its immediacy must scrutinize its estranged form: the objective powers that determine individual existence, even in its most hidden recesses.
-Theodor Adorno, Minima Moralia, Preface (1951)

Adorno/Assael 2

Steven Assael, "Skye and Marney" (2001)



"If love in society is to represent a better one, it cannot do so as a peaceful enclave, but only by conscious opposition. This, however, demands precisely the element of voluntariness that the bourgeois, for whom love can never be natural enough, forbid it. Loving mean not letting immediacy wither under the omnipresent weight of mediation and economics, and in such fidelity it becomes itself mediated, as a stubborn counterpressure. He alone loves who has the strength to hold fast to love. Even though social advantage, sublimated, preforms the sexual impulse, using a thousand nuances sanctioned by the order to make now this, now that person seem seriously attractive, an attachment once formed opposes this by persisting where the force of social pressure, in advance of all the intrigues the latter then takes into its service, does not want it....The love, however, which in the guise of unreflecting spontaneity and proud of its alleged integrity, relies exclusively on what it takes to be the voice of the heart, and runs away as soon as it thinks it can no longer hear that voice, is in this supreme independence precisely the tool of society."
-Theodor Adorno, Minima Moralia #110 (1951)

Adorno/Warhol

Andy Warhol, "Marilyn Diptych" (1962)



"The objective dissolution of society is subjectively manifested in the weakening of the erotic urge, unable to bind together self-preserving monads, as if mankind were imitating the physicists' theory of the exploding universe....When Casanova called a woman unprejudiced, he meant that no religious convention prevented her from giving herself; today the unprejudiced woman is the one who no longer believes in love, who will not be hoodwinked into investing more than she can expect in return. Sexuality, the supposed instigator of all the bustle, has become the delusion that self-denial comprised in the past. As the arrangements of life no longer allow time for pleasure conscious of itself [i.e., free and rational], replacing it by the performance of physiological functions, de-inhibited sex is itself de-sexualized."
-Theodor Adorno, Minima Moralia #107 (1951)

Adorno/Nimmalaikaew

Uttaporn Nimmalaikaew, "Drifting" (2006) [inkjet on canvas followed by two layers of oil paint on mosquito netting]


"The exchange relationship that love partially withstood throughout the bourgeois age has completely absorbed it; the last immediacy falls victim to the distance of all the contracting parties from all the others. Love is chilled by the value that the ego places on itself. Loving at all seems to it like loving more, and he who loves more puts himself in the wrong."
-Theodor Adorno, Minima Moralia #107 (1951)

Adorno/Aghdashlou

Aydin Aghdashlou, "The Triumph of Death" (1980)


"The fulfillment of persecution-fantasies springs from their affinity with bloody realities. Violence, on which civilization is based, means the persecution of all by all, and the persecution-maniac puts himself at a disadvantage only by blaming on his neighbor what is perpetrated by the whole, in a helpless attempt to make the incommensurable commensurable. He is burnt because he seeks to grasp directly, as with his bare hands, the objective delusion which he resembles, whereas the absurd order consists precisely in its perfected indirectness."
-Theodor Adorno, Minima Moralia #103, (1951)

Adorno/Hasbrouck

Maggie Hasbrouck, "The Open Window" (2007)



"The sadism latent in everyone divines the weakness latent in everyone."
-Theodor Adorno, Minima Moralia #103 (1951)

Adorno/Assael

Steven Assael, "Franchesca Twice" (2003)


"Things one fears for no real reason, apparently obsessed by an idee fixe, have the impertinent tendency to come about."
-Theodor Adorno, Minima Moralia #103 (1951)